Posts Tagged David Lin

Lovely to Me (Immigrant Mother) for Mothers Day

QT Vietnamese Sandwich Shop

I think there are just some projects that you do in life where all the stars are aligned and the vision for what is created is not only shared by you but by a whole community. This was one of those projects that I will be proud of for the rest of my life.

Lovely to Me (Immigrant Mother) was a reminder to me of the power of the creative process and that the art of filmmaking at its core and at its very best thrives in a community based process.

This was a key core value to our process. Whenever I talked to Taiyo he would always say, "This is not about me. It's about the community."

Working with community can be challenging but I have been doing it for a very long time and I know that part of making a successful process is by having a simple structure that is engaging and where you listen more than you speak and where you can foster and encourage individual voices.

One of the things that we did is we gave an HD camera to individual community members from the Asian Arts Initiative so that they could film their own moms and grandmas from their own point of view as a son or daughter. My direction was simple. Just be. Be with your mom. Be with your grandmother. Film the moment as it is happening. Nothing is too small or mundane. Just be present and real and let the camera and your creativity peel away the layers within.

In the process, these filmmakers with very little training revealed their own moms and grandmas as they truly are showing their love, their strength, their weariness, their laughter, and vulnerability. Nothing was sugar coated. This was the real deal.

The "mom" footage became part of the backbone that has made Lovely to Me (Immigrant Mother) a special kind of music video.  A music video with heart.

Lovely to Me (Immigrant Mother) has had more than 17,000 viewers with postings on many community blogs and has been very well received at the Los Angles Asian Pacific Film Festival and DisOrient Film Festival in Eugene, Oregon. We have been floored and moved by the response as it continues to garner attention.

Loc Mom

It had always been my hope to create a variation of the music video as a short film version and to get it in time for Mothers Day.

Back in the day, when you would go to your mom and pop record shop and purchase a new single sometimes you would have a b-side with a different cut of the song. I always found little surprises and often times found new meaning from the song with the new variation of that single. In some small way I hope that you can find the Mothers Day version of Lovely to Me (Immigrant Mother) as a variation on that theme. It's an experiment to fuse documentary and music video together as short film. I had always wanted to figure a way to make it work and I think after months of trying and then giving up I finally found something that I'm really proud of. I think this is a start in the right direction in what I hope will be an exciting ongoing exploration of this form.

The initial release of the music video fell on the Thanksgiving holiday and I only thought it was appropriate to book end that with the final short film release of the Mothers Day version of Lovely to Me (Immigrant Mother). (We are a little late of course. But its coming to you Filipino Time!)

I want to give my whole hearted love and thanks to Taiyo Na for taking a chance on me and letting this song touch the lives of so many people from our neighborhoods to the world wide web. I want to give a special shout out to our producer David Lin who has been a long time friend and collaborator from the Peeling the Banana years in NYC and has helped greatly to make this project a reality. I want to also honor and thank Gayle Isa and the Asian Arts Initiative community who have really been the core inspiration and the visual voice for this beautiful song.

Happy belated Mothers Day! May we always honor our mothers each and everyday!

With that I say, "Love you Mom!" And enjoy the Mothers Day version of Lovely to Me (Immigrant Mother).

For more credits and info please visit:

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© 2010 Taiyo Na & Gary San Angel

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Mosaic’s Pennsylvania Station another happy film accident

I recently went up to New York City to meet a film collaborator friend of mine in Times Square. It was the first sign of spring after a series of blizzards in the Northeast that trapped everyone indoors all winter so I thought it would be a nice day and a perfect opportunity to test the SNAP! lens gear from iniSYSTEM. My goal was to try to be as low profile as possible and to carry light with only my bike messenger bag to hold my camera gear. I decided to take with me my GH1 and Schneider 1:2/18-90 C-Mount zoom lens and the indiRAILSpro MP with a 75mm SNAP! gear.

Most of my footage was just quick tests pulling focus with the gear and seeing how well you could rack focus. Overall I was really pleased with the performance of the SNAP! gear with the indiFOCUS20. With the right amount of squish in place between the lens and gears I was able to pull focus very solidly and with the MP and GH1 it looked like I was just shooting stills in Times Square.

When I got home I was initially just going to cut the footage as quick tests showing the smooth focus of this combo but when I looked at some of my opening shots I realized I starting filming at Pennsylvania Station and a light bulb went off in my head. 

Whenever I think of Pennsylvania Station I think of Mosaic aka Glenn Suravech who is an amazing artist, producer based in Los Angeles. Mosaic released his ambitious debut album in 2007 entitled "Through the Eyes of A Woman" collaborating with independent  artists and musicians from across the nation. One of my favorite tracks is his song Pennsylvania Station which my amazing sister Jenny San Angel who is also a singer/musician in her own right is also featured.

So I thought hmm..

Maybe I can use some of this test footage to make a music video for Pennsylvania Station.

Because I was literally just shooting what I saw that either grabbed me visually I was not focusing on any particular shots I was really just focusing on the SNAP! gears usability factor. I was not thinking end result at all so this really was kind of a challenging prospect.

But I decided to go for it and sat with the song for a while to listen to the lyrics and to find the heart and emotion of the song. For a few weeks I would play random images with the song in the background to see what relationships I could find to tie in the right image to the music. There was an Asian bike messenger who was sort of contemplative and calm among the fast flowing walking New Yorkers and tourists of Times Square. I sort of focused on him from far away and shot a quick sequence of him preparing to get on his bike and then riding off into the crowd. When I found that section and played it with the first verse of the song I knew that we could make something from what was meant to be just a simple test.

I tried a number of variations and combinations of footage literally squeezing every bit of good footage I had to make this work. The last scene of Times Square was shot with the very common peephole effect you get from using c-mount zoom lenses. From a technical aspect it's generally frowned upon because you want to use a lens to cover the full frame of the sensor. In this case, I liked it and left the imperfections. I wanted to use what was a visual flaw and make it work. It still had the right feel and moment.

When I finished I sent it to my sister Jenny and to Glenn as a little surprise. I knew that if they liked it we could post it as a music video online and if they didn't it would be just some nice test footage. When I got their e-mails that they loved it I was really floored simply because I never thought the outcome of the footage would be a music video for Pennsylvania Station.

In Glenn Suravech's e-mail to me he shared a little bit about the background and meaning behind his creation:

"When I was putting this song together for Jenny back in 2006, I imagined her standing and walking amid a ocean of people (just as you depicted in this video). While most of your shots were overground in Times Square, the setting for Pennsylvania Station is underground in the subway stop located beneath Madison Square Garden. There is a huge lighted corridor there where people seem to walk expressionless past rows of store fronts. Your video captures all of that in the song except that it's overground, outside."

I'm proud to put together a visual interpretation that complements this beautiful song and to use Times Square as it's backdrop. I went for simplicity and rawness allowing the imperfections to come through. The visual imperfections of me trying to focus from one scene to the next as well as the human ones, the images of real moments of people passing each other by, walking uptown alone, a city worker collecting garbage, a bike messenger on his way to his next destination or just friends and loved ones in a group going "uphill" though the "ocean of people". These are moments that we don't see because we are so busy going to our own destinations. In this piece, we can take a moment to see where they may be going and see our own connections to these random travelers.

Many, many thanks to Glenn Suravech and Jenny San Angel for allowing me to put this little piece together.

 

Pennsylvania Station

Written and Produced by: Mosaic

Lead vocal: Jenny San Angel

Lead guitar: Shin Kawasaki

Acoustic guitar, bass and keyboard: Mosaic

Drums: Harvi Kato

Special Thanks: 

Gary San Angel– for your love, support and inspiration.

Tim Ovel, indiSYSTEM – www.indifocus.com

David Lin

 

© 2007 Mosaic Sound Recordings

 

www.glennsuravech.com

www.jennysanangel.com

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