• Home
  • Likes
COMPONENTGEEK

Indy Film Geeks connecting Technology with Local Community

  • Rental & Services
  • Submissions
  • Dalies
    • Asian Arts Initiative
    • Mero Cocinero
    • Makoto Hirano
    • Steve Calvarese
    • Steve Serota – Classic Camera Workshop
  • Films
    • Lovely to Me
    • My KoAloha Story
    • Pennsylvania Station
    • Pink Martini
    • Wayne Hsu
  • Film Fests and Awards
    • DisOrient
    • Hawaii International Film Festival
    • LA Asian Pacific
    • Philadelphia Asian American Film Festival
    • Pink Martini Contest
  • Reviews / Tips
    • Gorilla Noga
    • indiSYSTEM
    • Metabones Adapters
    • PhotoRec
    • Wondlan Pegasus II DV Stabilizer
  • Lenses on m4/3
    • B4
      • Canon J8x6B
      • Canon YJ18x9B4
    • Canon FD
      • Canon FD 24mm
      • Canon FD 50mm
    • C-Mount Primes
      • Cine Nikkor 10mm
      • Computar 25mm
      • Kern Yvar 75mm
      • Kodak Cine Ektars
        • Kodak Ektar 25mm
        • Kodak Ektar II 25mm
      • Navitar 6mm
    • C-Mount Zooms
      • Angenieux 8-64mm
      • Angenieux 17-68mm
      • Fujinon 12.5-75mm
      • Schneider Variogon 18-90mm
    • Contax G
      • Contax G 21mm
      • Contax G 28mm
      • Contax G 90mm
    • Panasonic
      • Lumix G 14-140mm
      • Lumix G 20mm
Master of Oz

Testing LED Refresh Rate Speeds

Welcome to COMPONENTGEEK! If you like what you see please stay tuned and subscribe! Enjoy!

Testing the LED refresh rate speeds. You can see the “wavy” banding of light in this video, and that’s because of the refresh rate of the lighting system.  You can see that new LED lighting systems are not based on the 60 Hz rate anymore, and this system is based on 80 Hz refresh rate.  To counter this, the shutter speed must be at 1/80 sec, or multiples like 1/160 sec.  Normal lighting, like incandescent or fluorescent, are based on the electrical rate.  In the US, that’s normally 60 Hz, in the EU it’s 50 Hz.  What does that mean for shooting HDSLR video?  Well, I shot this example in 24P and there are no problems.  However in different situations it could be a problem.  Always test the lighting to make sure that you have the right shutter speed (as well as exposure).

This example was shot at the new Hard Rock Cafe in Waikiki, Hawaii.  The stage was dark, except for the LED spotlights.  Dark stages and venues are a common theme for any musical event.  I’m still at a loss as to why the venues continue to have the stage dark, I mean you have to be able to see the bands playing, right?  Below is an example of how LED spotlights can wreak havoc on filming.  The ones at Hard Rock didn’t have a conventional “dimmer” switch, so instead of dimming the brightness, it actually shuts off certain LEDs.  This meant that all kinds of strange banding occurs, as can be seen at time 0:36 of the video.

Working around these limitations is a challenge that we as filmmakers must overcome in the future.

Click here to cancel reply.

Add Your Comment

Your email will not be published.

  • Need to Find a Story. Search No Further!

  • More Info

    • About
    • Bio
    • Contact
    • Dalies
    • Film Fests and Awards
    • Films
    • Lenses on m4/3
    • Reviews / Tips
  • Top Categories

    • C-Mount Zooms
    • Wondlan Pegasus II DV Stabilizer
    • indiSYSTEM – Studio4 Productions
    • Asian Arts Initiative
    • Makoto Hirano
    • Schneider Kreuznach Variogon 18-90mm f/2
    • Lovely to Me (Immigrant Mother)
    • Computar 25mm f/1.3
    • Dalies
    • Lenses on m4/3
    • Reviews / Tips
    • C-Mount Primes
    • Contax G
    • Film Fests & Awards
    • Metabones Adapters
    • Contax G 28mm f/2.8
    • Featured Content
    • Panasonic
    • Lumix G 14-140mm f/4.0-5.8
    • Films
  • Login

  • Connect with us:
  • Twitter
  • Facebook
  • Flickr
  • Vimeo
  • YouTube
  • RSS
  • © 2013 © COMPONENTGEEK
  • Please Visit! - KoAloha Story - Lovely to Me