• Home
  • Likes
COMPONENTGEEK

Indy Film Geeks connecting Technology with Local Community

  • Rental & Services
  • Submissions
  • Dalies
    • Asian Arts Initiative
    • Mero Cocinero
    • Makoto Hirano
    • Steve Calvarese
    • Steve Serota – Classic Camera Workshop
  • Films
    • Lovely to Me
    • My KoAloha Story
    • Pennsylvania Station
    • Pink Martini
    • Wayne Hsu
  • Film Fests and Awards
    • DisOrient
    • Hawaii International Film Festival
    • LA Asian Pacific
    • Philadelphia Asian American Film Festival
    • Pink Martini Contest
  • Reviews / Tips
    • Gorilla Noga
    • indiSYSTEM
    • Metabones Adapters
    • PhotoRec
    • Wondlan Pegasus II DV Stabilizer
  • Lenses on m4/3
    • B4
      • Canon J8x6B
      • Canon YJ18x9B4
    • Canon FD
      • Canon FD 24mm
      • Canon FD 50mm
    • C-Mount Primes
      • Cine Nikkor 10mm
      • Computar 25mm
      • Kern Yvar 75mm
      • Kodak Cine Ektars
        • Kodak Ektar 25mm
        • Kodak Ektar II 25mm
      • Navitar 6mm
    • C-Mount Zooms
      • Angenieux 8-64mm
      • Angenieux 17-68mm
      • Fujinon 12.5-75mm
      • Schneider Variogon 18-90mm
    • Contax G
      • Contax G 21mm
      • Contax G 28mm
      • Contax G 90mm
    • Panasonic
      • Lumix G 14-140mm
      • Lumix G 20mm

Browsing Tags Reviews

Product Reviews. These are real world tests. Not flashy reviews by any means but practical tests that would be useful to the everyday filmmaker. Most of my reviews are not just about the product but integrate local artists and places local to the community particularly here in Philadelphia. It is really an intersection of community, innovation, and filmmaking.

If you have an interest in sending us your products for review please contact us here at componentgeek

Ektar II Market Street

Kodak Cine Ektar II 25mm

I had a rare lull during my lunch break today so I thought it would be a good opportunity to take out my GH1 and to test out how the indiSYSTEM SNAP! Gear and Collar work using the Kodak Ektar II 25mm f/1.4 c-mount lens. It’s a very small cine c-mount and with the new SNAP! Gear and Collar you can even pull focus on this little lens.

The footage is basic street scenes near my work in Center City Philadelphia. I wanted to basically test wide open at f/1.4 just to see the lens sharpness and light fall off as well as how well you can pull focus with this system.

I had a 52mm homemade B+W variable ND filter which I was able to use on the lens with a step up ring to help control my exposure.

For those who want to play with this Ektar II 25mm you’ll definitely need a 30mm step up ring for this lens

I literally tried several filters to find the right size and after several months and several returns later I lucked out and found out that 30mm is the filter size for this Ektar II 25mm lens. There’s no info. on the web at all on this so I had to figure this out on my own. I’ll soon post a listing of filters sizes for the c-mount lenses that I currently own to help those who want to try this similar setup with their own c-mount lenses.

I’m very pleased and surprised that you can even pull focus with this little lens. Once you set it up properly the SNAP! Gear and Collar is fairly secure and it really allows you far more control allowing you to achieve repeatable focus pulls.  One thing that I noticed is that it takes about one to two full rotations to actually go from close focus to infinity depending of course where your subject matter is so that’s something to consider when using this particular ektar lens. I’d also recommend that you tighten the camera down to whatever plate you are using in order to prevent the camera from moving and your SNAP! Gear from slipping from the follow focus gears.

In general, the Ektar II 25mm has a unique character to it. Sure it has your usual light fall off and c-mount vignetting but it does give you the old school feel. It’s corner sharpness is rather so so to me but for those who are looking to use this lens to invoke the nostaligic past that may not be so bad. Again, I was shooting everything completely wide open so that would change of course by stopping down.

I do want to do a few more tests with this lens just to see if the step ring and ND filter is creating that extra light fall off. For a first test I’m really impressed that this could even be a possibiloity. It’s not bad. And really, it’s so lowprofile and lightweight that it makes it fun to shoot. The fact that we have something like the SNAP! gear and collar to be able to do this fairly economicaly is also quite attractive. You can buy a 70mm SNAP gear and then have a number of SNAP! Collars depending on the lens you are using. I look forward to more c-mount movie makers in m4/3!

Ektar II Snap Gear

NEW indiSYSTEM SNAP! Gear & Collar Demo

I’m wanted to post this quick demo using the new indiSYSTEM SNAP! Gear and Collar on a Kodak Cine Ektar II 25mm f/1.4 c-mount lens. I’ve been talking with Tim Ovel from indiSYSTEM about creating a geared solution for cine c-mount lenses and the SNAP! collar was a very simple addition to the SNAP! Gear and will work with most c-mount lenses. I gave Tim the front lens diameter of some of my lenses and he constructed a SNAP! collar that would essentially fit into the SNAP! Gear. With the help of some “squish” between the lens and the collar, the setup works very nicely and gives a nice secure geared fit.

This is just a simple demo that I did very late at night so please forgive the uncleaned lens of the footage but I wanted to show folks how the SNAP! Gear and Collar fit on the lens and it’s use with a follow focus. Actual footage is currently being edited and will follow shortly.

Overall, pulling focus is very smooth with this system and here are a few key points to consider to use this with your lenses.

Key points for a successful SNAP! Gear and Collar setup:

  1. The space between the SNAP! Collar and your lens should not be more than 7mm. Anything larger does not give you a secure fit. I’ve done a number of tests and it seems the ideal is to have 2-3mm of space but no larger than 7mm. Again, this space is pre-squish material.
  2. C-mounts with focal rings at the front or middle of the lens work best. Though I have tested a Cine Nikkor 10mm where the focal ring is at the rear of the lens but you have to turn the gear at an angle in order to make it work. Surprisingly it still works well. I’ll be doing more testing to see if this technique works on other lenses where the focal ring is at the rear of the lens. Again, this is more for clearance of the gear and the camera.
  3. Take the time to test out the “squish”. The best technique is to place “squish” between the lens and the collar first and then compress the SNAP! gear and collar together with the lens. There should not be any play with the lens, if there is some play then you may even need to place a tiny bit of “squish” between the collar and the actual SNAP! gear itself.
  4. Once the SNAP! Gear and Collar is secured to the lens, rotate the SNAP! Gear back and forth making sure that the gear does not slip. You should be able to firmly spin that gear from close focus (MFD) to infinity and back again with no problem.
  5. Make sure you choose lenses that have a smooth focus ring, you may need to find a lens repair guy to overhaul your lens and use a light grease on your focusing helicoid. Lenses with rough focus will force the gear to work harder and with the added torque the lens will unscrew itself from the mount.

I’ll be posting some sample footage later this week to show real world usage of the SNAP! Gear and Collar on c-mount lenses. It has been extremely fun to use and with the new Panasonic AG-AF100 micro 4/3 camera just around the corner I think the reality of using c-mount legacy lenses and these SNAP! Gear and Collars will be extraordinary and a must. The exciting thing is that we don’t need to wait for that camera we can use it now with the Panasonic GH1. The reality of a digital 16mm world using old school beautiful c-mount lenses is a dream come true.

SNAP Collar and Ektar c-mount

indiSYSTEM SNAP! Gear Collar

Yes! It’s true people. I couldn’t believe it until I tried it out myself. We have a pretty remarkable solution for pulling focus on a good number of cine c-mount lenses and so far the results have been very solid with the new indiSYSTEM SNAP! Collar. Not for your dog, for your smaller lenses! It’s a beautiful thing.

For many c-mount lens users using the m4/3 system can be rewarding but a little challenging. The issues of the smaller image circle for m4/3 use and vignetting make it not ideal by many but there’s a lot to be said about the character of these lenses. I think they are still worthy of being used especially for still photography but also for movie making. One of the hurdles of using these lenses to make movies with a camera like the GH1 is that it is so difficult to pull focus because the lenses are small making it impossible for subtle focus changes. When you have a smaller c-mount lens on this camera any slight movement focusing your lens will show up on screen and effect your image in a very big way.

That’s why currently the main folks who use c-mount lenses with the m4/3 system are still photography folks because they can live with the focusing annoyances while still getting some pretty amazing images out of these little lenses. But most of these c-mount lenses were made to shoot moving images and I’m happy to say we may be breathing a bit of movie life into these old film lenses once again.

Tim Ovel from indiSYSTEM has come up with a pretty darn good solution for those who want to pull focus with a gear and a follow focus using cine c-mount lenses with his new SNAP! Gear Collar. The piece fits on the lens like a collar and is slipped on and secured to a 70mm SNAP! gear. It’s that simple. Once SNAP! gear snaps together, It’s not going anywhere. The magnets are super strong. I tested this several times by rotating the gear back and forth by hand pretty strongly and the gear stays on nice and strong.

Part of this solution came out of some tests that I was doing with the SNAP! gear. Over all, I’ve been pretty impressed with the SNAP! gears and I was brainstorming with Tim on how the SNAP! gear can be modified to accept smaller lenses. Ideally, it would be great to get some smaller SNAP! gear sizes from the 35mm to 50mm range but it would be fairly expensive so Tim came up with a few alternative solutions. In our first test, Tim sent me some very sturdy foam and I tried to cut out and create an insert between the 70mm gear and the lenses but it did not work. The foam did not have any center support and the lens would basically slip out from the gear whenever I pulled focus. Then Tim had a great idea of creating smaller diameter slips or collars that would essential fit snugly between a SNAP! 70mm gear and the lens being used. He created a few samples in the shop and sent a few out to me. I tried it and was really blown away. It securely slipped into the 70mm SNAP! and like a dog collar securely fit around the lens with a very snug secure fit. We had ourselves a winner!

The pictures in this post demonstrate the use of the collar with Kodak Cine Ektar lenses. Theses are older 16mm lenses that were made by Kodak and used on their Cine-Kodak Special II between 1948 and 1961. From talking to folks like Steve Serota and others who grew up with these lenses, the Cine Ektars were some of the best c-mount lenses made in the U.S. for 16mm film cameras. These lenses have more recently been growing in popularity with the m4/3 system because they are one of the best lenses to focus with for still camera use. Also, on the Ektar 25mm 1.4 and even smaller Ektar II 25mm 1.4 the focus ring is on the very front of the lens which is ideal for using the SNAP! collar.

Here’s some brief tips using the SNAP! Collar with the 70mm SNAP! Gear

1) Make sure you chose a collar that allows no more than 7mm of space between the collar and the lens you intend to use. To fill the gap between the lens and the collar Tim provides you with 5mm and 1mm “squish” which is like a spongy tape with sticky adhesive on one side. The squish fits on the inside collar to hold your lens in place. In my tests, a space between 7mm and smaller gives the best secure feel for your lens. You can place two strips of 5mm squish on top of each other but from my tests it’s much better if you don’t.

2) Place a 1mm strip of squish on the inside of the 70mm gear where the collar slips into the SNAP! gear if you find the collar more snug. When you snap the gear together the collar should feel a tiny bit larger and when you squish the gear together you’ll see the magnets engage and the squish will compress and tighten the collar and your lens.

3) This is all based on trail and error depending on your lens and the collar size. Always start placing the squish on the inside collar first and place the collar over the lens and see if it fits your lens properly then slip the collar into the 70mm gear. If it’s loose then put some 1mm squish on the inside of the 70mm gear. If it’s too tight you can trim the squish down with a fine pair of scissors.

4) When you have the SNAP! gear and collar on your c-mount lens before you place it on your camera make sure that you do the twist test. Turn the gear firmly back and forth to make sure the gear is aligned properly and is nice and snug and secure. You should do it fairly firm and fast holding the lens in your hand and rotating the gear. If it is secure then that gear will not move. It should not slip or move from your lens. If you do see a problem that then you need a little extra squish.

The ideal lenses to use are lenses that have a focus ring on the front of the lens because the SNAP! gear must clear the GH1 body but there are some lenses that will still work where the focal ring rests on the middle of the lens. So far the Kodak Cine Ektars are a great fit but some other lenses work very well too including the Computar 25mm f/1.3 and Yvar 75mm f/2.5 lens. One zoom lens that works perfectly that I was not expecting to work was the Angenieux Zoom Type L2 and Type L3 1:2.2/17-68. I wasn’t expecting this lens to work because the lens rotates far forward but the extra width of the SNAP! gear give enough room togo from MFT to infinity. Iit was made for this lens and works beautifully.

I’ll be posting footage and a demo soon. My computer was out of commission this weekend so I am a bit delayed but for now enjoy these pics. Trust me it works.

These are definitely exciting times to see these old lenses being used in this way. I think the indiSYSTEM SNAP! gear and collar can be exciting for filmmakers who want to use c-mounts and other small lenses and I think for still photographers may also think about using the SNAP! gear and collar by itself because it is far easier to focus with the larger wheel than off the lens. There’s a little more torque and you have much more control over focusing just using the gear as without a follow focus. It really works well and helps make focusing smooth and easy with these c-mount lenses for the very first time.

indiSYSTEM SNAP Gear and Schneider lens

indiSYSTEM SNAP! Gear – Schneider Variogon c-mount zoom

As those of you know once you get your lenses and your new DSLR you’ll find that manually focusing by hand is fine in the beginning but when you want to push your work to more professional results it’s best to use a follow focus and focus gears on your lenses in order to have the ability for more precise focus, the ability to rack focus, and to lessen camera lens shake on your footage.

Tim Ovel and his team at indiSYSTEM have been hard at work again this time on their new SNAP! gear.

This new design is a very nice upgrade to their previous focus gear rings. What makes indiSYSTEM’s new design quite unique is that their focus gear is split in two halves and connected together with super strong magnets.What this allows is the ability to place the SNAP! gear ring on your lens and then remove it in a snap.

indiSYSTEM SNAP! Gear magnet

Snap! gears are sold in a set with five different gear sizes to cover most of your lenses:

70mm / 75mm / 80mm / 85mm / 90mm

At only $100 bucks for these set of five gears it’s a pretty sweet deal. And for those who need just one you can purchase the 70mm for $30 each.

Each set of SNAP! gears comes with “squish” as Tim likes to call it, or thin self-adhesive foam.

The squish looks like poly foam weather seal tape that you use for weather stripping your home. It rests between your lenses and the focus gear and does a good job of making up the difference if your lens diameter is a few mm smaller than the focus gear. In my case, I tested the 70mm with my Schneider 1:2/18-90 c-mount and the lens diameter was 65mm so I had to make up the difference by doubling the squish.

In my initial tests the adhesive just wasn’t strong enough so Tim is sending some thicker “squish” and I look forward to using it and seeing if it will show better results. In the mean time, I doubled up on the squish that was already sent to me and secured it using some gorilla glue and and now the SNAP! gear fits nice and snug on my lens with no play between the lens and the SNAP! gear.

Here are just a few initial impressions so far.

(+)

  • You gotta love the “snap” the magnets make. They are surprisingly super strong.  Once you have the proper squish, you literally snap the gear on and your ready to go in seconds.
  • One SNAP! gear can be used with your full set of lenses if they each share the same outside lens diameter.
  • With magnets and squish, no need to worry about the stress of tightening up your gears with Allen wrenches and leaving marks on your lenses.
  • I found the ½ inch wide gear great giving you plenty of grip using the MP’s indiFOCUS20.
  • $100 for a set of five gears (70mm/75mm/80mm/85mm/90mm) is a great deal and covers most of your lenses.

(-)

  • Don’t place your hard drive or SD cards near the magnets for obvious reasons.
  • The current adhesive when placing squish on top of each other is not the strongest so you lose the stickiness on the adhesive and need to use something strong like gorilla glue to keep it together. (Will wait on the new “squish” adhesive hopefully that should solve it.)

(>)

  • 70mm is the  smallest size gear so currently you need some hefty squish to make up the difference with smaller lenses. It would be nice to have smaller gear sizes especially for my Canon FDs and c-mount lenses but it sounds like 70m is currently the smallest gear size that indiSYSTEM is offering.

Here is an initial test with the SNAP! gear and indiRAILSpro MP using my GH1 and Schneider 1:2/18-90 c-mount lens.

The first test was doing a rack focus test with theatrical lighting after a poetry event at the Asian Arts Initiative. I’m shooting with a c-mount zoom so there is typically a smaller image circle and also some vignetting. The lens is still pretty sharp and has a lot of character and it pairs nicely with the SNAP! gear and indiFOCUS20.

indiRAILSproMP and Schneider lens

MP and Schneider c-mount zoom lens

Before “goin’ down to the Shore” as the say here in Philly, Tim Ovel from Studio4 Productions was kind enough to send me a few goodies to test out. One of which is the their new indiRAILSpro MP, which I took with me to Ocean City, NJ for a little test run.The new indiRailspro MP combines the best features of a shoulder mount system, the ability to go hand-held, and has a built in follow focus to boot. It’s lightweight, lowprofile, and flexibility is perfectly designed for the event shooter or anyone who needs the ability to stabilize their DSLR and use manual prime or zoom lenses and be on the move in an instant.

The MP consists of a Velbon RUP-40 monopod with a Giottos MH-652 compact quick release assembly and MH-642 plate which mounts to a top mounting stabilizing bracket. The monopod can be quickly attached and removed with the Giottos quick release assembly which is an added plus for quick setup, break down, and storage. On the bracket you have the ability to adjust the monopod, camera, and shoulder pad length as desired. An additional Giottos MH-652/642 quick release plate is where your DSLR mounts and you can slide your camera along the bracket’s adjusting slot to set your camera and lens for proper follow focus use. Unfortunately, the slot was not long enough for me to use the GH1′s 14-140 stock lens with the MP’s follow focus. Tim will be sending me out a new bracket with a longer slot for me to test soon. In the meantime, I decided to test out another c-mount lens that I recently just got back from being overhauled, a Schneider-Kreuznach Variogon 1:2/18-90 C-Mount zoom lens which I will talk about in detail later.

I wasn’t able to use the follow focus on the MP with the Schneider so instead I wanted to simply focus on the MP’s ability to be used as a DSLR stabilizer. Because the Schneider c-mount lens does not have a large enough image circle to fill the sensor, the GH1 must have digital 2x zoom engaged in order to get full use of the lens though out the zoom range and to fill the image sensor with out the “peep hole effect”. Doing this however, means that any slight camera movement in higher focal ranges will create a heck of a lot of camera shake.

And this is where the MP comes in. I wanted to use my Schneider c-mount lens but I was on vacation and didn’t want to drag an additional tripod with me. The MP was a perfect fit in this department because I could split up the MP with the Velbon monopod in my day bag weighting less than a pound and the stabilizing bracket (less than 2 pounds) in my camera bag.

Without the follow focus, you can be ready to go in 5 seconds, the MP’s combination of monopod and shoulder mount bracket allows for enough stabilization so I can get fairly steady shots with my Schneider lens even with the 2x zoom engaged on the GH1. If I didn’t have the MP, it would literally be camera shake city. Don’t get me wrong, this is no substitute for a good tripod for rock solid shots, you will always see some movement and sway but when using the Schneider lens at the lower focal ranges like 18-30 (which is doubled with the 2x zoom factor to 36-60) and by keeping that camera nice and steady you reduce camera shake and can capture some really nice steady footage. The big advantage with the MP is quick mobility combined with stability.

The footage I captured was nothing special, just a few shots of our day at the beach with friends. Two big challenges with shooting with the GH1, aside from the sand and wind whipping around, the GH1 camera mics are absolutely atrocious and unusable in windy situations. Number two, in bright outdoor beach type settings, it is literally impossible to get an accurate reading on focus and exposure with the flip out LCD. I didn’t have a hoodman on me so through out the footage you’ll see the exposure settings change that is not the camera it’s me trying to play with my Variable ND filter because I couldn’t see the screen.

Again, the GH1 audio was simply unusable being a windy day so the visuals are accompanied with a live version of Dar William’s song “The Ocean”. Here is a quick test of the indiRAILSpro MP (no follow focus) with the Schneider Variogon 1:2/18-90 in c-mount. The footage was captured at 720/60p and converted to 24p using NeoScene.

Metabones Contax G 21mm

Contax G Metabones Adapter

In the 1990s the Contax G System was a high end rangefinder camera system with quality Zeiss optics that even today hold its own to the mighty Leica M lens series. With the m4/3 system and the success of the G1 and GH1, many have hoped to resurrect the Contax G line for the new m4/3 system. The problem is the Contax G lenses were created with no foresight for the future use of these lenses. They are auto focus lenses with no manual focus ring. For years the sharp and beautiful glass of Contax G lenses were meant only for the rangefinder system until now..

Over the last year or so small company’s in China, Europe, and even the US have been trying to perfect the Contax G to m4/3 lens adapter. Some of the first solutions were not so great. Early versions had a focus gear on the side of the amount which allowed you to focus the lens. It was doable but a bit rough and not as easy to focus as it looked. The newer adapters now have gears that are a little bigger some with a larger focus gear on the side of the mount and others opting to create an actual focus ring around the mount giving you the ability to use the lens with a full sized focal ring. Despite these two different designs there were still issues of smoothness and results varied depending on different focal lengths used. The whole process of trying to find the right mount for these lenses was turning out to be a crap shoot and I was just about ready to give up on the system. But a few weeks ago, I was on getdpi forum, one of the best places to find great information on new mounts for the m4/3 system. One of their members had a good experience using the Metabones Contax G to m4/3 adapter. It seemed to have a much larger focal ring around the mount which was different from the other designs. I contacted one of the sellers of the mount on ebay who has a store called lasjas. He was extremely nice and responsive and said he would send four mounts to me from Hong Kong in four days which was great because everything usually takes about 10-14 days for other mounts I’ve purchased from China in the past.

When the Metabones mounts arrived I quickly put them on my Contax G lenses for some initial testing and here are some of my initial findings:

(+)

  1. The machining is a huge plus its very well made. It’s heavy but I see that as a plus, giving the sturdiness for real world use out in the field.
  2. I placed the Metabones Contax G on every lens I had (90mm/45mm/35mm/28mm) and each one I was surprised to see how smooth each lens rotated from infinity to close focus. No binding on any lenses!
  3. The larger width on the focal ring is a definite plus. The ring and mount feel like a natural extension of the lens. It’s about 3/4 of an inch wide allowing you to grip and focus manually. There is a little bit of play depending on the lens used but it’s slight and workable and much easier and smoother to focus than the other adapters I have used.
  4. Plays very well with indiSYSTEM SNAP! Gears- Pulling focus with follow focus and gears for filmmakers is now a reality!!!

(-)

  1. Without instructions, It took me a few hours to figure out how the locking mechanism worked. There were no instructions in the box. I later e-mailed Lasjas and he sent me instructions. Word of advice, follow the instructions or you’ll be stuck for hours!
  2. Once you get the mount in place you must apply some pressure to turn the mount to lock it into place.You have to place a little heft to get the lens locked into place.
  3. The Contax G system is a difficult system to mount when you start off and this is a mount that takes time to take on and off. If you have a lot of lenses it’s best to get an adapter for each lens.
  4. 28mm lens must have it’s legged chopped to use it. Chop off 5mm of the legs in order to fit the lens and mount on the GH1. I believe that this will hold true for the 21mm lens as well.

(>)

  1. The mounts are not cheap. $129.90 for buy it now or you may be able to offer a lower price. To get one for each lens which is really a must can be a little costly.
  2. Would be nice to get the focal ring a tiny bit wider, about an inch or ideally and an inch and a quarter that would be just right when using indiSYSTEM SNAP! Gears for those who want to use these lenses with a gear and follow focus.
Fleisher Parade Michelle

Wherever There Is Water Parade – Fleisher Art Memorial

Artist in Residence George Ferrandi led a beautiful community based art making project and parade involving stories, sculpture, paper mache, and LED lights at the Fleisher Art Memorial in South Philadelphia. Inspired by Catholic Saint processions, “Wherever There Is Water” was a unique community parade led by Huberta one of the main characters of the story and surrounded with her are a sea of paper mache LED lanterns and animals. I got to to the event as the parade was returning back to Fleisher but I was still able to capture part of the celebratory atmosphere and community spirit of the event.

I’m still doing some more testing with c-mount lenses on the GH1 using indiSYSTEM’s SNAP! Gear and Collar this time with a Computar 25mm f/1.3 lens. This is a fairly fast lens and a very small lens. Because this was a night time shoot I thought this lens would be good to bring out of the bag. I also wanted to add something interesting to the mix on this shoot by adding a Raynox HD-5050PRO-LE .5x wide angle converter to the Computar 25mm lens which would make the focal length of the Computar 25mm lens a 12.5mm lens with the addition of the .5x Raynox converter. Now in order to know what focal length that would be equivalent to on a Full Frame camera we would multiply 12.5mm by 2x and we would have an equivalent field of view of a 25mm lens.

A few folks have been exploring wide angle converters simply because one of the challenges with this format is finding a good fast wide angle lens. I looked around and saw the Raynox wide angle converter which interested me because of its low image distortion as well as being very small and light weight. And with the rear thread size of the Raynox being only 37mm, I could easily attach it to the front of many of my c-mount lenses including my fast Computar 25mm f/1.3 lens. Using a 40.5mm to 37mm step down ring, I was able to attach the HD-5050PRO-LE to the front of my Computar 25mm lens with the combined weight of the lens and adapter being less than my Canon FD 50mm lens.

The Computar 25mm f/1.3 is an industrial lens that is rather fast and is one of the few c-mount 25mm lenses that I’ve tested that almost fills the image sensor of the GH1. Many m4/3 still photography users have picked up this lens and have had really good results but I wanted to use it in a film context and see how well it does in an evening shoot and I thought the “Wherever There is Water” Parade would be perfect to test and see how all these combination works together.

I was really astonished by how well the Raynox wide angle converter worked with the Computar 25mm c-mount lens. There was really minimal distortion and light lose and compared to other wide angle adapters that I have tried before including a Century wide angle adapter, the 5050PRO-LE can really trick your eye to think that you are shooting without a converter. Upon close inspection, I can see the light fall off and softer focus around the edges but it is much less pronounced than what I’ve used with other wide angle adapters and this is really quite exciting to see. I’d like to shoot with this same setup in the day just to see how well the Raynox adapter works with the Computar lens. One down side is that the wide angle lens does flare a lot and you can see that in the test footage where the street lamp light shines into the lens. It’s a cool effect but it is something to be aware about.

The indiSYSTEM SNAP! Gear and Collar worked quite nicely allowing me to pull focus much better than with my Ektar II 25mm lens that I had tested previously. There’s a shorter distance that you have to go from close focus to infinity and that gives you greater control. I am continually blown away by the ability to pull focus with small c-mounts lenses. There’s a freedom in a way that I find so much fun. Just a few years ago, I was shooting with my back breaking my HVX or EX1 rig with 35mm adapter. And this is night and day to be able to scale down your setup and achieve similar results.

Overall, this was a fun unexpected test to see some real nice results with this combination of fast prime c-mount lens, wide angle adapter, and follow focus system in an all in one run and gun setup.

Many thanks to George Ferrandi, Fleisher Art Memorial and the Philly community for sharing their beautiful creations. Hope this captures just a small taste of this wonderful community celebration.

Featuring music by PINK MARTINI – Ou Est Ma Tete? from their new album Splendor in the Grass. (My favorite band!)

For more information on the “Wherever There is Water” Parade please visit:

fleisher.org/exhibitions/water.php

If you liked the music please buy Pink Martini’s new album:

pinkmartini.com/

This was shot with the Panasonic GH1 1080/24P and a Computar 25mm f/1.3 c-mount lens with Raynox HD 5050PRO-LE Wide Angle Adapter.

The indiSYSTEM SNAP! Gear and Collar was also used to test pulling focus with this smaller c-mount lens.

Cottman Ave Philadelphia

indiSYSTEM SNAP! Gear – Cottman Ave.

As those of you know once you get your lenses and your new DSLR you’ll find that manually focusing by hand is fine in the beginning but when you want to push your work to more professional results it’s best to use a follow focus and focus gears on your lenses in order to have the ability for more precise focus, the ability to rack focus, and to lessen camera lens shake on your footage.

Tim Ovel and his team at indiSYSTEM have been hard at work again this time on their new SNAP! gear.

This new design is a very nice upgrade to their previous focus gear rings. What makes indiSYSTEM’s new design quite unique is that their focus gear is split in two halves and connected together with super strong magnets.What this allows is the ability to place the SNAP! gear ring on your lens and then remove it in a snap.

Snap! gears are sold in a set with five different gear sizes to cover most of your lenses:

70mm / 75mm / 80mm / 85mm / 90mm

At only $100 bucks for these set of five gears it’s a pretty sweet deal. And for those who need just one you can purchase the 70mm for $30 each.

Each set of SNAP! gears comes with “squish” as Tim likes to call it, or thin self-adhesive foam.

The squish looks like poly foam weather seal tape that you use for weather stripping your home. It rests between your lenses and the focus gear and does a good job of making up the difference if your lens diameter is a few mm smaller than the focus gear. In my case, I tested the 70mm with my Schneider 1:2/18-90 c-mount and the lens diameter was 65mm so I had to make up the difference by doubling the squish.

In my initial tests the adhesive just wasn’t strong enough so Tim is sending some thicker “squish” and I look forward to using it and seeing if it will show better results. In the mean time, I doubled up on the squish that was already sent to me and secured it using some gorilla glue and and now the SNAP! gear fits nice and snug on my lens with no play between the lens and the SNAP! gear.

Here are just a few initial impressions so far.

(+)

  • You gotta love the “snap” the magnets make. They are surprisingly super strong.  Once you have the proper squish, you literally snap the gear on and your ready to go in seconds.
  • One SNAP! gear can be used with your full set of lenses if they each share the same outside lens diameter.
  • With magnets and squish, no need to worry about the stress of tightening up your gears with Allen wrenches and leaving marks on your lenses.
  • I found the ½ inch wide gear great giving you plenty of grip using the MP’s indiFOCUS20.
  • $100 for a set of five gears (70mm/75mm/80mm/85mm/90mm) is a great deal and covers most of your lenses.

(-)

  • Don’t place your hard drive or SD cards near the magnets for obvious reasons.
  • The current adhesive when placing squish on top of each other is not the strongest so you lose the stickiness on the adhesive and need to use something strong like gorilla glue to keep it together. (Will wait on the new “squish” adhesive hopefully that should solve it.)

(>)

  • 70mm is the  smallest size gear so currently you need some hefty squish to make up the difference with smaller lenses. It would be nice to have smaller gear sizes especially for my Canon FDs and c-mount lenses but it sounds like 70m is currently the smallest gear size that indiSYSTEM is offering.
  • Here are some of my initial tests with the SNAP! gear and indiRAILSpro MP using my GH1 and Schneider 1:2/18-90 c-mount lens.

Here is film test with Steve Calvarese who is an emerging spoken word artist based in Philadelphia. Steve has been sharing his take on the Spoken Word art form integrating personal, community, and social issues in his poetry.

Our first test was on Cottman Ave. an extremely busy street in his neighborhood in the Northeast right off the 95 highway. Steve performed his piece “We Will be Missing You” which tells a story about gun violence in the city of Philadelphia. Steve says that the story is grounded on the belief that understanding is key, thus it opens our minds to multiple perspectives.

During this shoot the SNAP! gear and MP set up really worked nicely with my Schneider zoom lens.

There was very little back lash and I was able to focus and rack focus pretty smoothly. Over all, I’m very happy with the results. The SNAP gear is definitely a winner in my book with a great price and flexibility.

indiSLIDERmini indiSYSTEM

indiSLIDERmini

indiSLIDERmini from Studio4 Productions

Tim Ovel and Studio4 Productions is one of those companies that continues to surprise me even through these tough economic times. This modest company based in Waterloo, Iowa saw the road changing and created some nice products to support the new burgeoning DSLR market.

These guys are about making quality products at a price point that is remarkably affordable. For the novice indies to veteran pro industry folks, the tools that Studio4 Productions put out are simple, innovative, durable, and in most cases will last longer than your camera. In fact, I still have an older version of the indiSLIDER. I’ve changed cameras like four times but I still have that indiSLIDER, though a little beat up, it gets the job done and is a wonderful tool in my kit.

indiSLIDERmini Deluxe from Studio4 Productions

I talked with Tim about the possibility of reviewing a few of his new products including the indiSLIDERmini Deluxe which I thought would be a great companion to the original indiSLIDER. Something that can fit in my tripod bag and that I could easily take with me when shooting with the GH1. I did a few simple tests before I went on vacation and I am loving it. The fact that the mini can fit in my small gitzo tripod bag is just astounding. I do a lot of shoots in Hawaii and on the West Coast so I travel frequently though out the year and taking the mini version is so doable allowing me to get my baggage under the 50 pound travel regulation. I was literally wishing for something like this to come out all summer and finally here it is!

Seriously, at $99 for the indiSLIDERmini it’s a no brainer. The ability to have a mini dolly in your tripod bag for your GH1 for a mere $100 bucks and some change is worth it. One of the nice things when using the indiSLIDERmini with the GH1 and the 14-140 lens kit is that the auto focus is pretty darn good and you can use the tracking abilities to keep focus on your subject when dollying in and out with the slider.
I’ll be doing some further testing with the indiSLIDERmini as well as the the indiRAILSpro DSLRsm and the indiRAILSpro MP on a music video shoot with NYC based artist Taiyo Na in a couple weeks.

Tim Ovel has been great in terms of responsiveness. I did some initial testing with the MP this week but the GH1 14-140 lens could not mount properly to work with the MP’s follow focus. Tim’s great Iowan customer service has been first rate, very friendly and responsive with a dash of humor. He’s sending me out a new plate for the MP to make sure that we can test it with the GH1 and the stock lens. It should be a nice opportunity to put the gear though it’s paces. When I get it I’ll let you know the results.

  • Need to Find a Story. Search No Further!

  • More Info

    • About
    • Bio
    • Contact
    • Dalies
    • Film Fests and Awards
    • Films
    • Lenses on m4/3
    • Reviews / Tips
  • Top Categories

    • C-Mount Zooms
    • Wondlan Pegasus II DV Stabilizer
    • indiSYSTEM – Studio4 Productions
    • Asian Arts Initiative
    • Makoto Hirano
    • Schneider Kreuznach Variogon 18-90mm f/2
    • Lovely to Me (Immigrant Mother)
    • Computar 25mm f/1.3
    • Dalies
    • Lenses on m4/3
    • Reviews / Tips
    • C-Mount Primes
    • Contax G
    • Film Fests & Awards
    • Metabones Adapters
    • Contax G 28mm f/2.8
    • Featured Content
    • Panasonic
    • Lumix G 14-140mm f/4.0-5.8
    • Films
  • Login

    • Register
    • Lost your password?
  • Connect with us:
  • Twitter
  • Facebook
  • Flickr
  • Vimeo
  • YouTube
  • RSS
  • © 2012 © COMPONENTGEEK
  • Please Visit! - KoAloha Story - Lovely to Me